Tuesday, October 30, 2012
It is not easy B / C Gucci Mane This is a different type. He leaves people Vibes
Right now I'm living in Atlanta, but I'm from North Carolina. I moved here in February and "Make A Song" is a song that I already had. I always felt that would be Gucci [Mane] the ideal solution for the joint to be.
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So as soon as I got here and mixing, I mixed him a few times, and I told him that I had the record. He went into the studio and we eliminated. It was not a situation where we were in the studio together, and put them together. It's just that I felt it would be ideal.
This is not simply because Gucci Mane is a different type. He leaves vibes people. If you do not like it do not like you. Please, he loves you. There really is no in between.
I'm glad I came across this other side to run it with the disk. It really was not too convincing, he loved the song. In fact, it was only after the song was Gucci diss where he had on the people he is talking about problems.
It's like d * mn, I'm glad that other side.
Ricky Ruckus is currently focused on the achievement of a good major chord, instead of looking forward to a deal that they on a "plateau" could sign set. He is also writing new material for mixtapes audio and video - in the pursuit of his college degree from Winston-Salem North Carolina State. Ricky Ruckus is the best on the whole, unsigned, hip-hop artists in the game! Soon the music industry - and the world - will be aware of the central artist, entertainer, songwriter, and clever.
FRANCE: PPR rental discs Q3 sales growth
French distribution group PPR has "satisfactory" in the third quarter reported revenue growth, supported by higher revenues of its luxury brands.
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Sales from continuing operations increased by 16.3% to EUR2.6bn (U.S. $ 3.35bn) in the third quarter. Like-for-like basis, sales rose 6.6%.
Luxury division, which includes brands such as Gucci, Bottega Veneta and Yves Saint Laurent, has seen sales jump 24.3%, with fashion and leather goods increased by 11%.
Sales rose 31% at Bottega Veneta and Yves Saint Laurent at 33%, while Gucci has seen its sales increase by 16%. Other luxury brands, sales increased by 45.6%, while on a comparable basis, sales increased by 15.5%.
PPR generated sales of Gucci Asia Pacific grew by only 2%, while Western Europe has seen its revenues by 14% and North America grew by 11%.
Bottega Veneta and Yves Saint Laurent has seen much of the sales growth in the Asia-Pacific region.
Meanwhile saw PPR sports and lifestyle division to increase its sales by 5% and falling 1.2% on a comparable basis. Profit at Puma by 6% and remained stable on a comparable basis to comparable data.
? Chairman and CEO Francois-Henri Pinault said: "PPR has once again a very satisfactory performance is increased during the quarter, sales for the luxury and sport & lifestyle divisions by 6.6% luxury division continues to record exceptional growth driven by the dynamics of . our brands in all areas of the Group. "
Sunday, October 28, 2012
Series X1 fashion handbags Promotion Topbrandblog.net
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On page Topbrandblog.net customers find the style that they love just X1. Topbrandblog.net promised no energy to a sufficient X1 handbag products to customers as soon as m? Possible to spare available.
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Saturday, October 27, 2012
Green Brands: the delicate balance
A leading manufacturer embarks on a journey of fashion sustainability. The cha? Ing supply and operations are changed, added new priorities of governance, goals set and achieved. The product range is growing greener every year.
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Then, the manufacturer decided to launch an eco-line as a lighthouse. And things go wrong.
Eco-per line? How u less elegant. Meanwhile, ask the credentials of the green line, the consumer what is happening to make the other lines - they are toxic and bad for the environment? "
This is the scenario that I Tobias Fischer, project relations and CSR at H & M. It is discussed, according to Fischer (and virtually everyone else in the clothing industry, I spoke with) a balancing act that keeps the brand manager for the night .
Too Much Information? Or not enough?
Fischer speaks to sustainable brands on London's cultural drivers of sustainable innovation. He is of the opinion that it. Not just a cultural difference between the regions, such as the United States and Europe, but between consumers and stakeholders of the company
Internally, the sustainable development action is a positive force that creates cohesion and esprit de corps. But consumers see only the outward manifestation of this action - the brands that proudly features such as organic cotton or without chemical dyes.
"When you commit to build a greater responsibility companies to discuss, inform how consumers." Fischer said. "Do you tell them that you are at the beginning of a long journey, and there are no solutions for all challenges yet? Or just leave as soon as your items have real information? Of green above average"
To reveal the danger of too much the wrath of consumers. If you previously did not know of issues such as the huge amounts of water and fertilizer it to produce cotton, they could not see the value in switching to organic cotton.
On the other hand, consumers say that very little has its own risks. In the age of instant access to information, can say nothing about your company page CSR, consumers the impression that your company is not working.
The Cannibal Green Fashion Brand
Fischer then investigated further danger in introducing clothing lines for green consumers.
? At H & M we have a very successful online green. It was innovative and avant-garde. The danger is, it may lead consumers to view it as anything you do, for sustainability, if it is so much more real. "
Although all H & M lines have green information, thanks to H & M's sustainability initiatives behind the scenes, consumers have difficulty looking beyond the actual product.
Essentially, this means that if you commit to a green line, you must be ready to step up for each row. Or there is a risk that the green line begins cannibalize on other products.
The? Ons
If there is one point that I got from our conversation was the following: Do not expect a seamless transition to green.
Fischer believes that sustainability is a business mandate. It's just not in the discussion. But does branding, cross a green corporate culture to a culture of consumption ... and consumers can be fickle fashion.
If you agree bumps in the road (degree of transparency and cannibalism brand, for example) are unavoidable by your intentions honest self-improvement raises the rewards. Consumers are more impressed by the honesty they are with perfection.
The desire for a high fashion brand is not only about fashion more sustainable - it is also the consumer-to-edge sustainable fashion.
Friday, October 26, 2012
By Jay Kernis and Mary Kozelka
International fashion mogul Tory Burch and her eponymous company are at the center of a bitter lawsuit filed by her former husband, venture capitalist Chris Burch.
Tory and Chris Burch divorced in 2006 and Chris, who was crucial to the launch of Tory Burch and who is a majority shareholder of Tory Burch LLC, launched his own fashion brand, C. Wonder.
When Chris unveiled the C. Wonder line last year, many eyebrows were raised because, to many observers, his merchandise appeared strikingly similar to the Tory Burch products, but at a more affordable price point.
When asked about her ex-husband’s new project, Tory remains civil.
“Some of it is too referential. And I think that he's going to be changing that, and some of it is great,” she told NBC’s Harry Smith in an interview airing Thursday at 10pm/9c on Rock Center with Brian Williams. “So, I think it's about finding the balance of what is OK with us and what works for him.”
The lawsuit Chris Burch has filed against Tory Burch and her company alleges interference with his business operations.
But so far, the legal battle doesn’t seem to be slowing Tory down.
Despite the success of her fashion line, with boutiques in over 1,000 department stores and 82 stand alone shops, Tory Burch remains an approachable figure, both to her colleagues and the public.
“People love her. They want to be her. They want her life. And she's really nice,” said Johanna Coles, editor-in-chief of Cosmopolitan Magazine.
The relatable, every-woman vibe she exudes can perhaps be traced to Tory’s roots. Born and raised on a farm in Valley Forge, Pa., Tory claims her design style was influenced by her family, namely her mother and father, Reva and Buddy Robinson.
When she launched her company, Tory looked to old photographs of her parents and their travels for inspiration. “My father had impeccable style. He designed all of his own clothing. I think he should have been a designer,” she said.
Many of these same photographs now hang in her flagship store on Madison Avenue and one of her most iconic designs, the Reva ballet flat, was named after her mother.
“[Reva] is both happy and sad to be known for a shoe,” she said, smiling.
When Tory decided to take a leap of faith and establish her own fashion house, she was understandably nervous.
“I had never been to business school. I had never been to design school,” she said, adding: “It was a risk. It was putting myself out there in a way that was opening myself up for criticism. I'm a sensitive person. So, it was hard.”
Cutwater, S.F., Wins Fashion AccountFirst Agency for Trina Turk By Noreen O'Leary
huck McBride is back in the fashion business. Trina Turk, the Southern California designer whose offerings are heavily influenced by vintage modernist apparel and jewelry, has picked McBride's Cutwater as her first agency.
The Cutwater executive creative director and principal, who has worked on brands like Ray-Ban, Levis, Persol sunglasses and Adidas, won the business after a review involving other undisclosed contenders. Cutwater will be responsible for the designer’s traditional advertising as well as digital, social and media strategy. Until now, Tina Turk has developed advertising in-house. The S.F. agency’s first work is expected in the spring of 2013.
Turk launched the brand in 1995 with her photographer husband Jonathan Skow, and opened her first boutique in Palm Springs in 2002. She has since expanded to seven locations and is distributed through retailers like Nordstrom, Neiman Marcus, Saks and Bloomingdales. Turk also collaborated with Bananna Republic for a collection this summer.
As a creative person, McBride said part of the appeal of the account is Turk’s aesthetic sense, which draws upon influences ranging from 1960s and ‘70s vintage apparel and jewelry to modernist graphics and mid-century architecture. Trina Turk also produces residential décor accessories and textiles.
“This is not just a fashion company, it’s more of a design company,” said the Cutwater founder. “There is a tremendous aspirational quality and accessibility to it. She believes in great design for all. She doesn’t want it to be ubiquitous, but she doesn’t want it to be exclusive.”
As luxury goods lose their economic lustre, the art world—despite its close connections
Hot on the high heels of consecutive fashion weeks in New York, London, Milan and Paris come the Frieze art fairs. This week’s round of openings, private views, dinners and the associated parties that fill collectors’ diaries owes much to the modus operandi of the fashion industry. Meanwhile, both the luxury goods market and the top end of the art market have demonstrated resilience over the past four years in the face of economic gloom. But last month, the high-end British fashion house Burberry warned that its profits would not meet expectations, wiping around 20% (£1bn) off its stock-market value in one day. The company’s chief executive, Angela Ahrendts, said that “the external environment is becoming more challenging”. Does this signal a warning for the art market, too?
A quick look in London’s high-end stores demonstrates the degree of crossover between the two worlds: the artists Elmgreen & Dragset have installed works among the Louis Vuitton bags on New Bond Street (including an oversized fairytale bed), while replicas of the artist Yayoi Kusama have moved out of the Vuitton store and into Selfridges (in conjunction with the designer, which sponsored Kusama’s Tate Modern exhibition earlier this year). Meanwhile, the artist Rob Pruitt is due to launch a “capsule collection” of shoes, bags and accessories this month in collaboration with Jimmy Choo.
The relationship between art and fashion is a sensitive subject, however—one that strikes at the core of what value in art actually is. Some dealers are quick to differentiate art from the mass-market appeal of fashion, pointing to the overriding differences between a coat and a fine work of art. “Collectors think about what they are doing for years, rather than making an impulsive decision according to a fashion trend,” says Neil Wenman of Hauser & Wirth (FL, C8; FM, B5). Alma Luxembourg of Luxembourg & Dayan, which is showing this week at PAD London in Berkeley Square, says that art “requires more from the participant”.
The businesses are certainly polarised in terms of size—the art market is estimated globally to be worth around $40bn, while the luxury goods market is worth around $300bn, according to Euromonitor International—but most dealers accept that the buyers are often the same. Thaddaeus Ropac (FL, F4), who has a gallery in central Paris and is opening a large new space on the outskirts of the city this weekend, says that people were “flocking [to] the gallery” during Paris Fashion Week at the beginning of this month.
Both industries share a visual product in which the value, or at least what people are prepared to pay, is not intrinsic to its materials or cost of labour. “We are both selling an item that transcends its use,” Luxembourg says. Tim Etchells, who co-founded the ArtHK fair and is opening a new fair in London next year, has worked with the organisers of London Fashion Week for more than 20 years (noting that the fashion market is more sophisticated in this area). He talks about the intangible value conferred by brand names in both industries. “The definition of a brand is a promise: White Cube [FL, F7] is a promise about the sort of art you will get from the gallery,” he says. And for contemporary artists, meeting the demand of the growing number of fairs and galleries has parallels with the fashion industry. “Fashion is now more about the volume of sales, just as artists now have to make a huge amount of work to sell across five continents,” says the art dealer Pilar Corrias (FL, H5).
Ropac says that “art flirts less with the fashion world than vice versa”, but some dealers believe that the reluctance to learn lessons from the marketing clout of fashion is a backward way of thinking. “Luxury [businesses] can connect the art world to a larger audience and the relationship is also, potentially, intellectually interesting,” says Emmanuel Perrotin (FL, F3). “At a time when the arts need as much funding as possible, what’s wrong with that?” Last year, one of his artists, Daniel Arsham, created three window installations for Dior in New York, Paris and Milan. Etchells says that the art world could “learn a lot” from the fashion industry.
There is a sense that a slowdown in luxury-goods buying may impact on the cheaper end of the art market, but the usual pre-fair optimism pervades as Frieze begins, especially at those galleries catering to the top 1% of wealth. “I don’t see a correlation at a certain level. If a collector is considering spending upwards of $100,000 on a work of art, they can most likely afford a new Burberry mac… it’s two different markets. But if the private-jet market declines, let me know,” Neil Wenman says.
4 Ways That Social Fashion Startups Are Changing The Retail Industry
In October 1995, the phrase “fashionista” burst onto the national scene in an Associated Press article calling fashionistas “the fashion mafia”—people who fly to New York each year for Fashion Week.
In a follow up story days later, The Washington Post added “(A fashionista is) the cranky son-of-a-gun in the Gucci loafers who wields clout and attitude like a silver stiletto.”
As women around the world started connecting with each other using social networks such as Facebook and Pinterest, the influence around fashion became more democratic.
Women began to share their own opinions and could now follow and inspire one another.
The term “fashionista” grew to be more positive—and reflected anyone who influenced fashion through sharing their own style and opinions. “Fashionista” was mentioned 4 times in 1995 in major media, and more than 2,600 times so far in 2012 (according to Factiva).
Read more: http://www.businessinsider.com/social-fashion-startups-are-changing-retail-2012-10#ixzz2AOHd5eXJ
In some areas of our life (what movies to watch, or books to read, electronics to buy…), technology or algorithms have helped us make decisions, but in the fashion world algorithms don’t seem to be enough. Fashionistas want to inspire and be inspired by others.
Startups enabling the fashion discovery have a new way of thinking. Instead of focusing resources on building the perfect algorithm (to say "if similar users like item X you might also like item Y because you have similar preferences") they focus on providing the infrastructure so that users are empowered to find their natural recommenders. The platform provides the means, users get the goal.
With these new platforms, people and data are classified naturally by the social network mechanisms (followers, leaders, popularity ranking, automatic categories, user-created categories like Pinterest boards, etc.) and rewarding schemas for active users.
Fashion’s Equivalent of the Blank Canvas
Anticipated by Sargeant’s Madame X, invented by Coco Chanel, and adapted infinitely by women across style, class, and some national borders, the little black dress is adored for its versatility as armor, camouflage, or plumage. Even in the art world, where basic black is the vestment of choice, the little black dress retains a special allure. Put it over a full-body tattoo and its wearer still channels Audrey Hepburn, if not Cindy Sherman.
“You can wear it to an art opening if you go as artist or gallerina or collector,” says Rachel Feinstein, the artist who is also a muse for designer Marc Jacobs.
Offering a template on which to act, or not, the little black dress is fashion’s equivalent of the blank canvas. “The shape is very important, the sculptural element using the body as form underneath,” says Feinstein.
Thus the garment gives you “sex appeal without trying to look like you’re sexy on purpose.”
The black dresses now on view at the Savannah College of Art and Design, in a show organized by André Leon Talley, the Vogue contributing editor who is also a writer and, increasingly, a curator, aren’t the type you’d see at art openings. Most are couture—vintage garments from Chanel, Balenciaga, Fortuny, Valentino, and highlights from recent collections by Calvin Klein, Miu Miu, Oscar de la Renta, Vera Wang, and Proenza Schouler, among many others.
Also included are several items in neoprene, more commonly used for wetsuits, by Lanvin, Jil Sander, and Cushnie and Ochs, as well as Alexis Asplundh, a recent SCAD graduate showing a zip-front, knee-length dress (above). Talley introduced her to his friend Gloria, Princess of Thurn and Taxis, who ordered a neoprene suit.
“The rules do not apply any more as they used to,” Talley says. “New fabrics are just as elegant as traditional fabrics.” Another 2012 graduate, Victoria Wilmoth, is represented by a satin hourglass evening gown, embedded with gilded plumes.
The hourglass Marc Jacobs dress that Feinstein wore to the Met’s most recent Costume Institute gala is here (above), along with her accessory, an oversize fur hat by Stephen Jones. “It was the biggest black fur fedora you’ve ever seen,” says Talley, “like the hat from Alice in Wonderland. It was like a cloud of mushroom fur around her face. She kept it on the entire dinner.”
Feinstein and her husband, painter John Currin, met Talley a few years ago at a dinner party, when he insulted their outfits. “You both look like you should be working on Wall Street,” he told them, as Feinstein recounts. “We were a little bit offended,” she says. “We gave him a hard time about it, that’s how we became friends.”
Amidst the black dresses, Talley has installed a black enamel carriage with a broken wheel, a 2008 sculpture by Feinstein called Puritan’s Delight. “We needed a focal point,” says Talley. “I’ve learned this from Diana Vreeland,” his mentor at the Metropolitan Museum of Art’s Costume Institute.
The collapsed coach adds certain fairy-tale quality to the display. Nearby is a male mannequin—Cinderfella?— in the transparent, lacy Comme des Garçons shirtdress that Marc Jacobs wore to the Costume Institute gala. His accessories are white boxer shorts, black ankle socks, and jeweled Pilgrim shoes from Jacobs’s fall 2012 collection. “It’ a shattering breakthrough, the little black dress being worn by a man,” Talley says. “It’s crashing through boundaries, the rules of black tie.” Does this mean we’ll see more black dresses on men?
“I may wear a black dress one day,” he says.
Why not? It wasn’t so long ago that women weren’t supposed to wear pants
Thursday, October 25, 2012
The rising star of fashion purchases Roberts talks style
NEW YORK - Emma Roberts is not only made a name for himself as a rising star in Hollywood - she has four movies in the works - it also leaves its mark in the fashion world.
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The 21-year re? Oit regularly in magazines for his style on the red carpet before name-checked and at the forefront of fashion guest is requested.
It seems appropriate, then it would be a sign of official fashion consultant Snapette, a social media-app purchases, where they blog and share pictures of it as it is.
Roberts talks about her love of sunglasses, style inspirations and only rule of fashion:
AP: How did you interested in fashion?
Roberts: Fashion has always been something that I was in. Since I have small, was interested, my mother told me that I would try to go to the school in my heels and dress-up ... a feather boa, and I see nothing wrong with that. For me, fashion is always something that I love and that I get more than I'm getting older, so want more risks to take design stuff and play a greater part in in no fa? It.
AP: Are you careful not to casually as sweatpants outside because you might be photographed wearing?
Roberts: I never wear sweatpants out of the house. This is probably my only rule. I know I'll regret it if someone. A picture of me I will be like? Ugh. I'm the girl was wearing sweatpants and flip-flops all day outside, and I do not want that person. And I even have friends who are like you have, 'you see the picture of me? I'm like, Why are wearing pajamas outside? So, that's my only rule, really. No pajamas outside (laughs). By the way, I want to wear sweatpants on a plane every day of my life, but I'm like,? I do not want a picture of me. "
AP: Is there an accessory that you like to buy?
Roberts: I've always been a fan of sunglasses ever. I'm the kind of person who wears a new pair every day. I had a go-to pair that these Dior, were those black cat eye. I literally lost three times, I have to buy again, and I just found out that I lost the other day, and I'm devastated as. It is a collaboration Nanette Lepore con? U-pair with me.'s Muse for Sunglass Hut and they ended up as the white cat eye sunglasses, and I'm like, 'Oh my God What luck! But they are limited edition, so that I be careful not to lose it, because I like, I have? I will not be able to get them back, even if they are sunglasses Emma. I ended up with two pairs and my sister already a steal. ... The other pair I'm afraid to go, because I know that they are in a taxi somewhere in New York and know they were mine.
AP: What are your sources of inspiration for fashion?
Roberts: I'm a big fan of people who are looking for good on carpets. I love Kate Bosworth, she always looks together. I love Sienna Miller. ... Audrey Hepburn, I think she looked immaculate. I want everything always what they wore still there today.
AP: What about nail polish? What color do you wear?
Roberts: I'm a red nail or anything. I always see people with these great designs, but sit for 10 minutes, I'm like,? Dry! This is the worst sitting there waiting. When people nice things on their nails I'm like, "How long did it take, how long you sit there? And you can not do anything because your nails are wet!
AP: Why did you partner with Snapette?
Roberts: Snapette is a new application for the iPhone and it was something I wanted to be included in, because I'm a big fan of fashion and love shopping s RI, and is it? something like Instagram-meets-Yelp where you can shoot, you can not like it? Photos you can see what other people download and where to buy everything, so for me, I'm always happy? Where did you find it? has? Where did you find them? Has? "So for me, this app is great, because you can see what you want to see where the next place is going to buy, then it's great.
Wednesday, October 24, 2012
traffic patterns sponsors Fresh Faces 2012 International contest Model
The two winners will be a contract with the prestigious European models of traffic modeling agency and start an international career in the fashion world. You have all the training and support: are obtained during testing of fire and personal trainers available to them and nutritionist to the real stars of the show has become.
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Moreover, it is the protagonist of the next campaign Revlon Professional (her) and American Crew (him), two brands of cosmetics that work regularly with some of the best photographers in the fashion world for major publications such as Vogue and Harper's Bazaar.
The Fresh Faces 2012 Competition began in May last year on modelmanagement.com and involved online voting and live casting new faces, these boys and girls who have the necessary qualities to have their place in a world as complex and competitive choose fashion.
The finalists, who are aged between 15 and 26 years were selected from hundreds of applicants from around the world. Now they have the opportunity to give everything on the line to begin the journey to supermodels.
The selection of winners, a boy and a girl, will be conducted by a panel of industry experts, including Marie-Christine Pollet, the discoverer of talents like Martina Klein and Andres Velencoso, Raquel Gatell, director of the traffic patterns CEO Andreas From model management. com Estorff, Andrea Regas, editor of the magazine Woman. The final will also be attended by representatives from tous and Revlon Professional.
The highly acclaimed New Faces Contest was born in 2010, and to combine the famous final in Paris, Vienna, Berlin and Barcelona, ??the first social networking sites, online voting, and live events. It currently has a worldwide audience and participants from more than 150 countries. Among the finalists marched past issues on the catwalks of Milan, Paris and New York, and a finalist for an earlier French edition was selected for the cover of ELLE France and photographed by Karl Lagerfeld.
Tuesday, October 23, 2012
Make a "Fashion University
On Sunday, 525 students graduated from high school and college Teen Vogue Fashion University annual weekend of fashion education for the next generation of Anna Wintour's Grace Coddington and Eva Chen. Participants from 502 last year from across the United States and 26 countries.
Amy Astley, Teen Vogue editor in chief, began the weekend with the question, Grace Coddington, creative director of Vogue. Then, in a boot-camp-like, students attended back-to-back classes and roundtables led by leading fashion professionals. Philip Lim, Chris Benz and Prabal Gurung were among the designers that the downturn in the industry and talked. The basics of design, photography, fashion, style and retail Students also heard fashion blogger Rumi Neely and Bryanboy.
For the second year, I facilitated the closing event "Fashion in the Digital Age" Panelists include:. Danica Lo, editor of StyleBistro.com, designers and social media maven Rebecca Minkoff, Huan Nguyen, director of brand partnerships LOOKBOOK.nu, Nadia Hussain, the community manager at Polyvore and Treena Lombardo, fashion director of ShopBop.com. Conversation an hour and a half, a number of topics, including each of the websites or social expert approaches and digital branding. Judging by the questions from the students, brushes on the label of social media, social platforms, to determine what is relevant and how they were to track the success of your online brand, the issues of the day.
The questions were much more accurate than the usual "How do I get into the business to break?" A student asked a question in three parts for each subject about their brand / site unique visitors per month, if Pinterest and how to use them and when in their company a Facebook application.
Another student wanted to know if they remove one of the two characters to online personal fear of alienation a prospective employer. (One of his personalities was reserved for fashion blogs, was the other was for his social life.) Has published Ms. Lombardo good advice: Do not tweet or post anything embarrassing you are your parents. Ms. Lo warned the young bloggers not to lose or reduce now that standout may make in the future. "What makes us different is what makes us different," she said. "It can make you a very attractive candidate."
Just before the students lined up for "graduation", Jason Wagenheim, Teen Vogue vice president and publisher, took a while to get a point, regardless of the technological level of our culture is nothing written manual thank you card (replaced without emoticons ). "Please do not write simply:" It was great to CU 'when you sign the card, "he said.
Monday, October 22, 2012
express picks
Personal Touch
If you are traveling, then Gucci collection golden colors embossed dog tags, leather worth watching. Perfect for your handbag, every day is designed to carry the initials of the owner. These documents are available in Gucci stores and Gucci. com.
Luxury Steps
It's rare shoes, gold and silver are included in the decision. However, should you want to luxury at the top collection Audelade proceed interested. Aside from being handmade and enjoy a good wearing comfort, the collection of high heels and suede moccasins are decorated with mesh in 92.5 percent silver. This Design for Women is designed with a sterling silver laced top with skillfully interwoven genuine leather. The heel is glamorous and comfortable. Out and shine.
Friday, October 19, 2012
Cameron Diaz celebrates his return Going to Gucci
Cameron Diaz was in the life of Los Angeles with a trip to Gucci in Beverly Hills today. The actress looked effortlessly chic in a white tank top, jeans and a sweater because she was wearing a Celine handbag on her arm and a Gucci bag in hand. There was a second wicket in Beverly Hills this week for Cameron, who attended a Maison Martin Margiela outpost on Monday.
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Cameron enjoys some free time after a long trip to London, where she worked on features alongside Brad Pitt, Penelope Cruz and Javier Bardem. Before returning to the West Coast, she stayed in New York to mark the 40th To celebrate birthday of her friend Gwyneth Paltrow. The two blonde beauties also up to their funny faces with a rap video for Chelsea Lately, the show went viral last week, combined.
Thursday, October 18, 2012
LVMH said no major slowdown in Q3 Louis Vuitton
16th October (Reuters) - French luxury LVMH on Tuesday announced its flagship product, the brand Louis Vuitton no slowdown in sales on a comparable basis of comparable data for the third quarter of the year saw against the three months.
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"There is no greater slowdown in the third quarter compared to the second quarter," LVMH Chief Financial Officer Jean-Jacques Guiony during a conference call with analysts after the release of results for the third quarter of the group Monday.
Guiony said that there is no slowdown in the demand for Louis Vuitton products, but the performance this year came against very high numbers in the past year.
"This is especially the Asian kind of business," he added.
luxury brands target Indonesia
A growing number of luxury brands in Indonesia, despite the challenges faced by companies that are growing in the country.
Gucci, a unit of PPR, is the development of a flagship store in Jakarta with an area of 5500 square meters, while watching to exploit the favorable trend in the Asian country.
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"We firmly believe in the potential of the Indonesian market due to sustained economic growth, stabilization of the political environment and the rise of the bourgeoisie," Alexis Babeau, CEO of PPR luxury division, has told the Wall Street Journal.
"Indonesians show a taste for luxury, they appreciate quality products and appreciate the craftsmanship."
As further evidence of the involvement of PPR, François-Henri Pinault, CEO, and more than ten other executives visited Indonesia in early 2012 to assess the prospects.
Some issues include the level of development of emerging infrastructure, a complex legal environment and the turnover anything between 10% and 200%, but still room for optimism.
Euro Monitor, the knowledge provider, has estimated that the sale of luxury goods in Indonesia is expected to reach $ 742m this year, almost double the total in 2007. With plenty of room for future growth
Hermes, the French luxury group, opened its third store in Jakarta earlier this month, specializes in high-end watches, while Fendi owned by LVMH, and two new sites in Indonesia has revealed in 2012.
Other players tap Indonesia Galeries Lafayette SA, a French company and shopping center, a chain of department stores in Thailand, who hopes to have five local offices in 2017.
Increased according to a study by CLSA Asia Pacific, Brokerage, the number of people with assets of more than $ 1 million by 25% per year, the highest in Asia.
Oliver Petcu, founder of the CPP consultant luxury industry, argued that joint ventures and franchise offers most businesses today rely on almost become a thing of the past.
Consumers, he said, are enjoying now at a stage "show brand have pockets." He added: "It is this appetite was more."
Tuesday, October 16, 2012
Louis Vuitton is dotty for Yayoi Kusama
Japanese artist Yayoi Kusama and writer loves his spots, and we think she loves them.
In the past she has London's South Bank decorated with polka dot pattern with Audi in large red spots, and earlier this year, presented Tate a retrospective of his work as Louis Vuitton presents its collaboration with Marc Jacobs brand and installed mannequins in their windows. 2012 is the year Kusama has in many ways, despite his being in his mid-80s.
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As part of its design work for Louis Vuitton Kusama created this dotty, mushroom-shaped drum. Metamorphosis Kusamesque contains a white dial and painted red, 10 diamond hour markers and a patent strap red and white polka dots.
Signature Kusama is the finale of this eye-interference and numbered limited edition collection, and we are dotty about.
Saturday, October 6, 2012
Louis Vuitton 60s tested again in fashion in the spectacular show
famous stripes and checks the famous Paris?
The answer: Louis Vuitton, developed its 1960s style fashion spring-summer in a typically spectacular paired's iconic Damier checkerboard with a number of artist Daniel Buren.
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Understatement is not a word in the vocabulary designer Marc Jacobs. Sun collaboration with minimalist artists Buren - who made the famous striped columns in the Palais Royal in Paris - would have raised eyebrows.
But Buren rose boldly to the occasion - the creation of a shopping center with four staircases scale, each decorated with his signature stripes 8.7cm.
He thrilled spectators at the Louvre.
"It is exquisitely beautiful," said 29-year-old Christina Malaki.
"(The Louvre) was awesome, I make that bigger did," said Boer, humorous brand. "It was different, me. A minimalist, not you call me"
The sky is the limit when you are backed by the richest man in Europe, Bernard Arnault, LVMH owner with whom he mingled before the show.
When it comes to fashion she was strong, comes with more than 64 retro look in Mary Quant style controls that have made a bold statement optical black and white and brown, gray and green leaves.
Slightly puffed shoulders rounded, pointed miniskirts, beehives and a few exposed midriffs one: The sixties are back.
The silhouettes - filed the beautiful undulating skirts as models walked two and two of handbags - often flat and mobile Damier priorities for the female form.
Louis Vuitton is a company that is proud of its tradition, but also likes to change. The collection saw the ubiquitous monogram banned for the first time.
Instead, was a recurring feature, so to speak, the program notes, "most small flakes ever produced."
Thousands of microscopic flakes a shimmering metallic shimmer dress skirt suits, but if it was blocked on the Damier pattern, it was a little too much.
"It's graphically. (Stairs Buren) is a mathematical equation," Jacobs told reporters after the show.
Further mathematical equation come this revenue collection is very salable.
It's a safe bet that next year the review will be fat everywhere.
Friday, October 5, 2012
No logo for Louis Vuitton
A show with no monogram mark a giant luxury summit of his art.
Nine in the morning is never too early for champagne and caviar in the world of luxury Louis Vuitton.
Proferred waiters in white jackets bubbles and fish eggs fancy silver trays when she greeted guests at the show yesterday, the French brand on the last day of Paris Fashion Week.
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Models slipped escalators big money on a catwalk square yellow and white checkered prints wear replicas of yellow, white, black and brown.
Skirts soil combinations winding made three quarters duster coats for a rectangular silhouette was long and lean, cut with mini-skirts and jackets and a further element of the square geometry of the equation.
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The show was inspired partly arranged by Les Deux Plateaux, a book of 260 different columns at different heights in a grid of conceptual artist Daniel Buren.
Clothing feature places in networks with different colors and mathematics scales arranged under the design direction of Marc Jacobs, Louis Vuitton artistic director, as the participants sit on cushions yellow squares on their butts wooden bleachers protect.
Tiny flakes were kept by hand to create liquids on metal surfaces Evening wink and glared his way to the podium, and the technique of "tufting was taken from the carpets and leather embroidery fabric in a herd-like effect.
Grid Grid appeared on mini dresses and suits, and jackets adorned places Applications changes and models square or rectangular structured bags as they negotiated the podium checkerboard patent sling back kitten heels.
Severe forms marked a collection of more than mimimal Jacobs best known, but it was really stunning in the show, the lack of any logos Louis Vuitton.
For the first time in the history of the brand is a collection of his complete freedom Monogram brand presenting instead the Damier check forms to inform and are the new summer range.
A show with no monogram mark a giant luxury summit of his art.
Louis Vuitton was this week named world's best brands in the fashion industry, with competitors for Gucci, Burberry and Prada in Interbrand Best Global Brands report.
The survey estimated brand value of Louis Vuitton to $ 23.58 billion, and he was ranked 17th in the top 100 most valuable brands such as Coca-Cola, Nike and Apple. The report looks at how brands annual financial results, financial performance and how they affect the choices available to consumers. If Jacobs has his way, the consumer is the next season with a clear choice squares. Read the message lost minimalism, the acclaimed designer lace dresses and extravagant Scottish kilts bear even took his bow in a simple black suit.
Thursday, October 4, 2012
ShopRDR.com Gucci, Prada Showcase returns during Milan Fashion Week
Rodeo Drive Resale, Premier Dealer 100% authentic designer handbags and discount methods, including Gucci and Prada heels tops, raises two of her favorite fashion and some of their songs recently displayed at the Milan Fashion Week, which took place 19-25 September .
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Prada: Prada on the catwalk to present a unique pair of shoes that have a base of wood and leather, lined with colorful ribbon. "Miuccia Prada # invents the glove foot," Times New Business funding sources tweeted 20th September. Besides shoes catchy Italian designer Miuccia Prada, her Spring / Summer 2013 collection, the fur coats, pieces presented by large flowers and satin skirts presented. Prada told fashion magazine WWD his intention was to combine to femininity with a little edge "Perseverance and poetic part. I tried to mix them, because that's essentially what women have to face the reality. Clothes are an expression of this impossible dream . "
Gucci: Gucci Spring / Summer 2013 collection of designer Frida Giannini has inspired members of the public and critics alike with his choice of Japanese 19th September attracted. "These are portraits of aristocratic women, what defines a strong look with a clean, precise, aesthetic," Giannini said of the collection. The collection, trouser suits, trousers, dresses and cocktail dresses, bright colors Giannini built labeled contain "purism aristocratic."
Lovers of luxury, upscale shoes from the fashion houses such as Gucci and Prada are invited to attend the last class of shoprdr.com. During their consent designer discount shoes, more than 75 pairs of designer shoes designer shoes, including Louis Vuitton, Louboutin, Gucci, Yves Saint Laurent, Valentino and more. This event is for a limited time only, if consumers are invited, shopRDR.com visit today to enjoy big savings.
As with all articles that are about shopRDR.com, backed up all the shoes in the sale of a 100% money-back guarantee of authenticity. Besides distribution shopRDR.com offers one of the best deals in the logging business, pays up to 70% of the final sales price of handbags, shoes, jewelry, watches and accessories on consignment.
Reduction ShopRDR.com the designer shoe sale marks the fifth major promotion with the popular online retailer in the last two months, as last shopRDR.com both in terms of the sale Labor Day weekend and animal print campaign "Walk On The Wild Side" in month. Sales success Labour Day Weekend, offered savings of up to 25% off all clothes and an additional 15% on all branded shoes with free shipping on orders of $ 200 or more, and 10% discount on all designer handbags, fashion more investment noticed founder Raya shopRDR.com Jaffer: "designer handbags are not usually go out of style, which is good because they last for many years."
Rodeo Drive Resale has built a reputation for providing amazing deals on handbags, clothes and accessories from renowned designers of high-end fashion. The company offers a 100% guarantee of authenticity on every item sold, and works daily with a network of clients to buy, sell or deliver their luxury goods. Stress Free Shopping Experience - ShopRDR.com loves high-end fashion, and believes to find a high quality, classic piece should be easy to be pleasant and the most important. For more beautiful Louis Vuitton, Chanel, Prada, Gucci, St. John Knits, Christian Louboutin, Tiffany & Co.
Wednesday, October 3, 2012
4 Ways That Social Fashion Startups Are Changing The Retail Industry
In October 1995, the phrase “fashionista” burst onto the national scene in an Associated Press article calling fashionistas “the fashion mafia”—people who fly
to New York each year for Fashion Week.
In a follow up story days later, The Washington Post added “(A fashionista is) the cranky son-of-a-gun in the Gucci loafers who wields clout and attitude like a
silver stiletto.”
As women around the world started connecting with each other using social networks such as Facebook and Pinterest, the influence around fashion became more
democratic.
Women began to share their own opinions and could now follow and inspire one another.
The term “fashionista” grew to be more positive—and reflected anyone who influenced fashion through sharing their own style and opinions. “Fashionista” was
mentioned 4 times in 1995 in major media, and more than 2,600 times so far in 2012 (according to Factiva).
In some areas of our life (what movies to watch, or books to read, electronics to buy…), technology or algorithms have helped us make decisions, but in the fashion
world algorithms don’t seem to be enough. Fashionistas want to inspire and be inspired by others.
Startups enabling the fashion discovery have a new way of thinking. Instead of focusing resources on building the perfect algorithm (to say "if similar users like
item X you might also like item Y because you have similar preferences") they focus on providing the infrastructure so that users are empowered to find their
natural recommenders. The platform provides the means, users get the goal.
With these new platforms, people and data are classified naturally by the social network mechanisms (followers, leaders, popularity ranking, automatic categories,
user-created categories like Pinterest boards, etc.) and rewarding schemas for active users.
Intersection: An Affection for Punk Style in Astoria
When you hop off the N train in Astoria, Queens, smoke from grilled souvlaki blankets your nose and eyes within seconds. If you make your way down Steinway Street,
a busy strip packed with mom-and-pop stores, restaurants, boutiques and beauty salons, you can’t help but feel nostalgic for an older, pre-Starbucks New York.
“Astoria is one of those few areas you’ll find where its still just families living in neighborhoods, tree-lined neighborhoods,” said Andrew McCoy, a resident
who described his style as classic Americana.
Intersection
Street fashion videos that capture many varied parts of New York City and the people who live here. View a new video every other Tuesday.
“It’s safe,” he said.
One of Astoria’s shining attributes is its ethnically diverse makeup, which is true for much of Queens. If you’re walking down Broadway, Ditmars Boulevard or any
other main block in Astoria, you’re likely to hear Greek, Italian, Spanish, Romanian, Korean, Chinese and a few other languages before you can pick what you want
for dinner. And the street style is as assorted as the cultures.
We met Zachary Gayle, 18, on the corner of 36th Street and 30th Avenue on a recent evening. Wearing a gloriously grungy trucker hat that seemed older than he was,
Mr. Gayle talked about being an art student at Frank Sinatra School of Arts High School in Astoria, all the places his hat had seen and why he identifies with punk
style and culture.
Tuesday, October 2, 2012
Hermes Spring 2013
2012 Mercedes-Benz New York Fashion Week can only end, but the designers are in Paris to bigger and better things. The Hermes Spring / Summer 2013 collection show, public, fans and fellow artists, they sew.
Boring if it is the only word in the dictionary was left, it would be a less-than-suitable to describe the spring / summer collection 2013 Hermes airstrip. Collection designer Christophe Lemaire was home to a variety of colors, design, prints, styles and cuts.
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Under the gaze consisted of trousers and blazers, trench coats, and still like tops followed. The collection had a masculine air to it - some models even wore ties. Provided the day of the minis tight t-shirts and necklines plunged disappeared! If the Hermes collection is an indication that for Spring / Summer 2013 wear, try improper and oversized space.
"I wanted it to be graphic and modern, masculine and feminine, but I wanted to discover and express the richness of Hermes. Style is always a fusion," Lemaire said Hermes. "I want to shake them all together."
Collection stuck faithfully words Lemaire. The colors were warm - dark blue, turquoise, mustard yellow, gray and taupe, to name a few. Most colors are muted, but orange, violet, indigo and bright white gave the collection a pop. Leather, linen, silk, velvet and alligator - The pieces are too focused on each texture. Trends were in abundance - they saw how each of Pucci prints kaleidoscope of baroque Tahitian flowers, reminiscent of Dr. Suess' Lorax trees.
While similar clothing not have been in his colors, prints and patterns, have one thing - almost every outfit paired with matching leather boots. Hermes and the line could not complete. With the breath, prototype, the minimal label Birkin bag price $ 10,000 The Birkins models that dragged on the target holds Lemaire was "shake all together" as they were lined a mixture of colorful canvas with leather. Bags, similar to some copies of documents and templates, as modern geometric abstract art - a composition with red, yellow and blue of the artist Piet Mondrian.
The eclectic Spring / Summer 2013 designs Hermes would require every artist or fashionista more. From leather to canvas shorts, trench coats and flowers Polynesian the grid of modern contemporary prints, the collection was a "fusion", to say the least. Wait for each model as Hermes by tearing into a box of chocolates was flanked - every family and individual full of flavor and flair.
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